inSYNC provides a full range of music services for film and television.

These services are—

music supervision: direction, editing, copyright research and licensing
representation of screen composers, music producers and arrangers
releasing and marketing soundtrack albums
publishing original musical works

CONTACT
Norman Parkhill
norman@insyncmusic.com.au
612 9922 2789
PO Box 684 Neutral Bay
NSW 2089 Australia

Coming Soon

Son of a Lion
Composer Amanda Brown

Newcastle
Composer Michael Yezerski

Monkey Puzzle
Composer Amanda Brown

Prime Mover
Music supervisor Norman Parkhill

Kenny's World
Music supervisor Norman Parkhill
Composer Richard Pleasance

Packed to the Rafters
Music supervisor Norman Parkhill

Children of the Silk Road
Music licensing Norman Parkhill

Chickabees
Composer Richard Pleasance

The Informant
Music supervisor Norman Parkhill

Accidents Happen
Music supervisor Norman Parkhill

City Homicide, series 2
Composer Richard Pleasance

A Well-Founded Fear
Composer Amanda Brown

East of Everything, series 2
Music supervisor Norman Parkhill

The Square
Music licensing Norman Parkhill

Tangled
Composer Bryony Marks

Sidney Nolan: Mask and Memory
Composer Amanda Brown

The Last Confession of Alexander Pearce
Composer Roger Mason

SOUNDTRACK ALBUMS

inSYNC's insider knowledge of recording and production stemming from 20 years in the music industry gives us a distinctive edge when it comes to creating quality soundtrack albums.

All inSYNC music releases are distributed in Australia by Inertia Distribution www.inertia-music.com.

The Black Balloon
September
Noise
Suburban Mayhem
Kenny
Candy
Somersault

Composer Michael Yezerski
Producer Norman Parkhill
IND 20081

The Black Balloon

Accepting the peculiar idiosyncrasies of your family can be challenging, especially when you're 16 and starting a new school, falling in love and suddenly finding yourself responsible for the care of an autistic older brother. This is the starting point of THE BLACK BALLOON, the confronting and raw but funny and tender debut feature from director Elissa Down.

For the soundtrack, composer Michael Yezerski created a dynamic score of many moods, textures and accents to highlight the layers of emotion in the story. The music dips and soars with sudden shifts of rhythm, and he unifies the whole by recurring stylistic devices rather than one big theme. Yezerski also composed a number of songs that bring into the mix the noteworthy talents of Josh Pyke, Simon Day (ex-Ratcat) and David Campbell. Glenn Richards (Augie March) performs a haunting rendition of Neil Finn's elegiac Fall at Your Feet. The whole is a dramatic and vivid soundscape that conveys the vastly different emotional worlds of the two brothers and moves the viewer along in a restless flow of musical energy.

Available in store or on-line at and

Print Press Release
Print Cover Image

Composer Roger Mason
INDD20072

September

SEPTEMBER is the first film to emerge from the Tropfest Feature Program, a production incentive established by John Polson to develop the talent of emerging local filmmakers. It is the feature film debut of director Peter Carstairs, who has made a meticulously constructed, luminous and, ultimately, hearbreaking portrait of two boys, two families and two communitites in a long-lost summer when everything changed.

SEPTEMBER is set in the Western Australian wheat belt in 1968, but composer, Roger Mason, did not attempt to reproduce the music of that period so much as to create a mystical soundscape arising from the themes of the story. He used the spare, clear sounds of gamelan, harps, bells and electric piano to haunting effect, but also called upon the lyrical qualities of solo viola and cello for more introspective, intimate and melancholy moments. While his score is minimalist and understated, it also has highlights of intense sweetness that beautifully reflect the turmoil and confusion of the boys as they greet the irreversible changes in their friendship and their world.

Print Press Release
Print Cover Image

Composer BRYONY MARKS
IND20071

Noise

NOISE provides an unsettling window into a seemingly prosaic world of ordinary individuals coming into brutal, random contact with incomprehensible violence. First-time director Matthew Saville brilliantly depicts the banality of evil and the struggle of his unheroic protagonist, Graham, towards kindness and dignity. Sounds and acts of hearing and listening are central themes in the film and composer Bryony Marks uses the opportunity to vividly portray the horror of chronic tinnitus suffered by Graham. More importantly, her edgy score links disparate characters and events, illustrating how small, unremarkable lives are bound together by an abstract and implacable force. At heart NOISE is a parable of the power of decency and the music is used with great precision to reveal compassion in the face of mayhem.

Collaborating with composer Bryony Marks and sound designer Emma Bortignon, Saville whips up one hell of a soundscape: a brooding and constantly shifting score dances beneath an accentuated series of aural pinpoints, niggling the senses like the first rising vibes of a nightmare hallucinogen.

LUKE BUCKMASTER infilm Australia

Available exclusively from the iTunes music store.

Print Press Release
Print Cover Image

CO-PRODUCER NORMAN PARKHILL
IR5224CD

Suburban Mayhem

SUBURBAN MAYHEM is a savage dark comedy set in suburban NSW, directed by Paul Goldman and starring Emily Barclay in a bravura performance as the wayward and dangerous Katrina. The atmospheric score was composed by Mick Harvey and adds a distinctive contrast to the film's songs, which include blistering rock tracks from the likes of Adalita, Magic Dirt, Little Birdy, the Spazzys, Bird Blobs and Suzi Quatro. The soundtrack is a loud, fully juiced up and scorching musical assault that highlights the chaotic events of the film and ensures the viewer undergoes a visceral and absorbing cinematic experience. The soundtrack album captures and relives this intensity.

The Suburban Mayhem soundtrack album contains a bonus film trailer as a CD-ROM component.

Available in store or on-line at and

Composer Richard Pleasance
PRODUCERS NORMAN PARKHILL & RICHARD PLEASANCE
INCD20062

Kenny

KENNY tells the story of a lovable guy in a not-so lovable job. It's a wryly funny, warm-hearted tale full of deadpan humour about the absurdity of everyday situations. The poignant score by Richard Pleasance draws on bluegrass elements to create a rootsy, earthy, string-driven sound. The music also features a number of original songs sourced from director Clayton Jacobson's trips to Nashville when he befriended local musicians, such as a banjo-playing sushi chef and an octogenarian singer called Oswald. Their tracks are raw and unpolished, but full of emotion and enrich the texture of the film's soundtrack with a sense of truthfulness and dignity to match Kenny's (who has a great vocal performance of his own on "Takin Care of Business").

KENNY is a Jacobson Brothers film.

Available in store or on-line at and

Print Press Release
Print Cover Image

CO-PRODUCER NORMAN PARKHILL
INCD20061

Candy

CANDY is a contemporary love story of startling beauty, directed by acclaimed theatre director Neil Armfield and adapted from the bestselling novel by Luke Davies. Composer Paul Charlier's combination of underscore and songs is designed to shift the soundtrack "between the love and hopefulness of Dan and Candy and their despair. I wanted the music to stay within their world-not just the naturalistic world in which the action plays out, but also their internal world." Included are songs by Tim Buckley, Rodriguez, Soul Coughing, Amon Tobin, Good Buddha and a stunning track from Concrete Blonde's Johnette Napolitano, written and recorded specifically for the film. For his original score, Charlier went for a sound that was "a little bit dirty, a little bit unrefined" using primarily guitars and strings.

Available in store or on-line at and

Print Press Release
Print Cover Image

INCD20021

Somersault

SOMERSAULT is set at the foot of the Australian ski fields and tells of a naïve young woman's painful experience of self-discovery, as portrayed by the mesmerising Abbie Cornish. It became the most highly anticipated Australian film release of 2004 following its selection to screen at the Cannes Film Festival in the prestigious Un Certain Regard category. It went on to become the most awarded film in AFI history.

Decoder Ring's exquisite compositions, aided at times by the ethereal vocals of Lenka, marry perfectly with the film's extraordinary visual style, inviting the listener into a dreamy yet powerful cinematic world of fragile beauty.

Exclusive distribution in UK, Europe and North America by Bella Union www.bellaunion.com

Available in store or on-line at and

MUSIC PUBLISHING

inSYNC Music Publishing provides independent and effective music publishing administration for screen music.

Screen music generates publishing royalties through
theatrical release
television broadcast
internet or cable distribution

The sale of DVDs and soundtrack albums can also attract publishing royalties.

inSYNC Music Publishing understands the complex nature of music publishing and its various royalty streams. We ensure up-to-date registration of our published works with the major collection societies throughout the world and maintain efficient collection and reporting of publishing royalties.

inSYNC Music Publishing offers a straightforward and personal service, tailored specifically to the requirements of composers and screen producers alike.

Norman Parkhill
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Norman Parkhill began his musical career as a performer while still at university. Since then he has clocked up nearly 20 years in the industry, working in music publishing, recording, artist management, A&R and music supervision. He established inSYNC in 2005 to provide a comprehensive range of music services including music supervision, and to represent an elite roster of screen composers and music producers.

Norman offers a coordinated approach to a production's music requirements from sourcing and contracting the right composer all the way through to producing the soundtrack album and publishing the musical works. His broad experience in commercial music publishing and recording gives him a well-rounded musical perspective in addition to a solid grasp of the complexities of music supervision, copyright research and licence negotiation.

Most recently Norman was engaged by SBS as the music/sound design consultant for their new brand identity. As such, he was responsible for the conceptualisation and delivery of more than 200 audio elements for on-air, radio and internet.

Currently he is music-supervising Kenny's World, an upcoming series for Network 10, and Packed to the Rafters, a series of 22 eps for Channel 7. His next projects are Prime Mover, directed by David Caesar and Accidents Happen directed by Andrew Lancaster.

Norman Parkhill: SELECTED CREDITS

FEATURES
2008 Hey Hey it's Esther Blueburger, music supervisor
2008 The Black Balloon, music supervisor
2007 December Boys, music supervisor
2007 4, music licensing
2007 Razzle Dazzle, music supervisor
2006 Suburban Mayhem, music supervisor
2006 Kenny, music supervisor
2006 Candy, music supervisor
2004 Somersault, music supervisor

TELEVISION
2008 SBS Brand Identity, music/sound design consultant
2008 East of Everything (series), music supervisor
2007 The King (telemovie), music consultant
2006 Hello Goodbye (series), music supervisor
2006 The Silence (telemovie), music supervisor

COMMERCIALS
2008 Earth Hour promo—One Crowded Hour, music licensing
2007 SBS Who Do You Think You Are promo—Wide Open Road, music licensing
2007 SBS World News promo—New World in the Morning, music licensing
2006 Homestart—Blister in the Sun, music licensing

SOUNDTRACK ALBUMS
2008 East of Everything, co-producer
2008 The Black Balloon, producer
2007 Razzle Dazzle, co-producer
2006 Suburban Mayhem, co-producer
2006 Kenny, co-producer
2006 Candy, co-producer
2004 Somersault, music supervisor

Norman Parkhill: AWARDS & NOMINATIONS

2006
Winner Best Music—Suburban Mayhem

SCREEN COMPOSERS

inSYNC proudly represents an elite roster of Australia's most innovative screen composers and music producers.

Amanda Brown
Bryony Marks
Richard Pleasance
Michael Yezerski
Roger Mason

Amanda Brown
BIO / SELECTED CREDITS / DISCOGRAPHY / AWARDS & NOMINATIONS / Print bio

Amanda Brown has a BA in music from the University of Western Sydney, majoring in composition, and a post-graduate diploma in screen composition from the Australian Film, Television and Radio School.

Before undertaking formal musical studies she established a distinguished career as a multi-instrumentalist and composer. She was a member of the acclaimed band the Go-Betweens with whom she toured internationally and recorded two albums. She formed the band Cleopatra Wong with fellow Go-Between Lindy Morrison, which became one the first Australian bands to tour Asia. She has also toured and recorded with numerous pop artists including REM, Silverchair, the Vines, Youth Group, Josh Pyke, the Church, the Reels, Mental As Anything, Died Pretty, David Bridie and David Lane.

Amanda is currently composing music for the upcoming documentary A Well-Founded Fear. She has recently completed composing for the features Monkey Puzzle and Son of a Lion.

If the Velvet Underground were the ultimate 60s cult band, then the Go-Betweens were the greatest cult band of the 80s.
Robert Christgau, NEW YORK TIMES

Amanda Brown is one of the unsung heroes of the local industry... Brown has created a brave, languid and at times nakedly gorgeous album that hooks right into you.
FILMINK MAGAZINE

Amanda Brown: SELECTED CREDITS

FEATURES
2005 Look Both Ways, composer additional score
2004 Somersault, composer additional score
2003 Floodhouse, composer
2003 Preservation, composer
2002 Dirty Deeds, assistant to composer, string arrangements

TELEVISION
2006 Suburb 4 Sale, (documentary) composer
2004 ABC Sunday Afternoon & Words, composer theme
2003 The Secret Life of Us (series 3), composer additional score
2002 Miss Olley (documentary), composer
2000 Bartelby, composer

SHORT FILMS
2006 Stir Fry, Black Pearl & Saltwater Cowboy (trilogy), composer
2004 Khatabah, composer
2002 Down Time Jazz (animated special), composer
2002 Search, composer
2001 Harvey, composer

THEATRE
2006 Burning Daylight, composer (Marrugecku Theatre Company)
2003 Incognita, composer(Stalker Theatre Company, Festival of Sydney, Perth Arts Festival, Melbourne Arts Festival)
2000 The Request of Spring, composer (Bangarra/Carnivale 2000/Vietnamese Arts Culture Exchange Project 2000)

Amanda Brown: DISCOGRAPHY

AMANDA BROWN
LOOK BOTH WAYS—THE SOUNDTRACK
Hibiscus Films/Inertia 2005
INCOGNITA
Vitamin Records 2003

THE GO-BETWEENS
BELLAVISTA TERRACE
Beggars Banquet 1999
1978 - 1990
Beggars Banquet 1996
16 LOVERS LANE
Beggars Banquet 1988
TALLULAH
Beggars Banquet 1987

CLEOPATRA WONG
CLEOPATRA'S LAMENT
rooArt/BMG 1993
EGG
rooArt/Warner 1992

Amanda Brown: AWARDS & NOMINATIONS

2005
FCCA Awards
Nominee Best Musical Score—Look Both Ways

IF Awards
Nominee Best Music—Look Both Ways

2004
APRA-AGSC Screen Music Awards
Nominee Best Song in a Feature Film—Somersault
Nominee Best Song in a Feature Film—Floodhouse
Nominee Best Music for a Miniseries or Telemovie—Floodhouse

Film Festival avec de Twist (Montreal)
Nominee Best Music Score for a Short Film—Khatabah

2000
APRA-AGSC Screen Music Awards
Nominee Best Song in a Feature Film—Grace

Bryony Marks
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Bryony Marks composes scores for film, TV and theatre productions as well as concert works.

In 1996 she completed a Postgraduate Diploma in Music Composition for Film and Television with first class honours from the University of Melbourne's Conservatorium of Music. In 2001 she attended the inaugural Australian National Academy of Music Composers' Program, taking classes with Professor Simon Bainbridge, Head of Composition at the Royal Academy of Music in London, and Karen Tanaka, formerly of IRCAM, Paris.

In addition to several scores for theatre, Bryony has composed music for some 20 student and short films. She has also received commissions for 15 works for chamber orchestra, including three string quartets, a quintet and a sextet, an opera excerpt and a one-hour chamber opera. In 2004 she was invited to participate in the Song Company and the Australian Music Centre's MODART05.

In 2005 she composed the music for Chris Lilley's award-winning series for ABC TV, We Can Be Heroes. In 2007 she worked with him again on Summer Heights High (ABC TV). She also composed the music for the TV feature, The King (based on the life of Graham Kennedy) and Matthew Saville's debut feature film, Noise.

Most recently, Bryony collaborated with Roger Mason on the music for SBS's new brand identity, delivering more than 200 individual pieces for on-air, radio and internet.

With tinnitus as their starting point, (director Matthew) Saville, composer, Bryony Marks, and sound designer, Emma Bortignon, have created one of the most involving, haunting and deeply integrated sound worlds in Australian cinema.
Keith Gallasch, 'The sound of Noise', realtime 81

Bryony Marks: SELECTED CREDITS

FEATURES
2007 Noise, composer

TELEVISION
2008 SBS Brand Identity, co-composer
2007 Summer Heights High (series), composer
2007 The King (TV feature), composer
2006 Real Stories (series), composer
2005 The Surgeon (series), composer
2005 We Can Be Heroes (series), composer

SHORT FILMS
2004 The Little Woman, composer
2003 Thorns, composer
2003 Mittens, composer
2003 Sweetheart, composer
2002 Roy Hollsdotter Live, composer

COMMERCIALS
2006-05 Hesta—Talking Super, composer
2004 Sip n Save (radio and TVC), composer
2004 Pap Test CSA, composer
2003 Mini Cooper, composer
2003 AAPT, composer

Bryony Marks: AWARDS & NOMINATIONS

2008
Green Room Awards
Winner Best New Australian Work - Opera—Crossing Live

2007
AFCA Awards
Winner Best Music—Noise
AFI Awards
Nominee Best Feature Music—Noise

APRA AGSC Screen Music Awards
Nominee Best Music for a Telemovie—The King
Nominee Best Theme Music for a Telemovie—The King
Nominee Best Feature Music—Noise

2006
APRA-AGSC Screen Music Awards
Nominee Best Television Theme—We Can Be Heroes
Nominee Best Original Song—We Can Be Heroes

2004
MADC Awards
Winner Bronze for Best Music—AAPT TVC

Richard Pleasance
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / PRODUCTION & RECORDING / Print bio

Richard Pleasance began his music career as a member of Boom Crash Opera. The band enjoyed national success: their first album achieved gold sales and their second double platinum.

Since then, Richard has released two solo albums and has produced, recorded, written for and played with a diverse range of artists including Archie Roach, Paul Kelly, Augie March, Jimmy Little, Deborah Conway, Kate Ceberano and Suzanne Vega.

Most recently Richard composed the music for the telemovie, Emerald Falls. He is currently working on the TV series, Kenny's World, for Channel 10 and the second series of City Homicide. In 2007 he also continued his distinguished work as a record producer and produced the Top 5 gold album for Kate Ceberano, Nine Lime Avenue.

Richard Pleasance: SELECTED CREDITS

FEATURES
2006 Kenny, composer

TELEVISION
2008 Emerald Falls (telemovie), composer
2007 City Homicide (series), composer
2006 Antarctic Art (documentary), composer
2003 Life on the Lawn (series), composer
2000-1998 SeaChange (series), composer

SHORT FILMS
2006 What's the Matter? composer
2005 Syllable to Sound, composer

COMMERCIALS
2008 Brisbane Lions—The Best Thing, composer
2006 Myer—Myer is My Store, composer
2004 Bonds—Hoody, composer
2004-2003 Telstra—Countrywide, composer

Richard Pleasance: AWARDS & NOMINATIONS

2007
APRA AGSC Screen Music Awards
Nominee Best Soundtrack Album—Kenny

Richard Pleasance: PRODUCTION & RECORDING

2007 Kate Ceberano, Nine Lime Avenue, producer and engineer
2005 Sophie Ko, Self-titled, producer and engineer
2003 Kate Ceberano, The Girl Can Help It, producer and engineer
2002 Archie Roach, Sensual Being, producer and engineer
2001 Jimmy Little, Resonate, producer and co-writer (3 tracks)
1991 Deborah Conway, String of Pearls, producer

Michael Yezerski
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Michael Yezerski studied musical composition at the University of Sydney under internationally renowned composers Peter Sculthorpe and Ross Edwards. He graduated with first class honours. Next he studied audio technology at the Australian Institute of Music and graduated with distinction. He then completed film music studies at the Australian Film, Television and Radio School.

Michael composes both concert works and film scores in addition to producing and remixing. He has worked with some of Australia's finest musicians, including the renowned Synergy Percussion and Richard Tognetti.

In 2004, Michael founded the music production house dirt radio with fellow composer and music producer Chris Nelius. Their work includes additional music for Suburban Mayhem, Kenny and Claire McCarthy's debut feature, Crosslife, in addition to ad campaigns for the Leo Burnett and Clemenger BBDO Agencies.

In 2007 Michael composed the score and four songs for Elissa Downs' debut feature, The Black Balloon. The film recently won the Crystal Bear for Best Film in the General 14+ category at the 2008 Berlin International Film Festival. He also composed the score and co-composed the song for the end credits for the forthcoming debut feature for Dan Castle, Newcastle. Michael is currently collaborating with Richard Tognetti and Lyn Williams to compose a concert piece, The Red Tree, inspired by the book of the same name by Shaun Tan, featuring the extraordinary sounds of the Gondwana Voices. The piece will tour concert halls in eastern Australia in July 2008.

Extraordinary... the rising star of Australian film music.
IF Magazine

www.michaelyezerski.com
www.dirtradio.com.au

Michael Yezerski: SELECTED CREDITS

FEATURES
2008 The Black Balloon, composer
2007 Crosslife, additional score
2006 Kenny, additional score
2006 Suburban Mayhem, additional score
2005 Cape of Storms (documentary), co-composer

TELEVISION
2006 The Burma Road (documentary), composer
2006 Nerves Of Steel (documentary), composer
2005 Cape of Storms (documentary), co-composer
2005 Thursday's Fictions (special), composer
2004 The Sixth Element (documentary), composer
2004 Undercover Angels (documentary), composer

SHORT FILMS
2007 Sisters, composer
2006 Skin, composer
2006 La Meme Nuit, composer
2005 The Last Chip, composer

COMMERCIALS
2007 Clairol Herbal Essences—Rasta, composer
2007 Hubba Bubba—Long Live the Bubble, composer
2006 McDonald's—Deli Choices, composer
2006 Pepsi—Scissorhands promotion, composer
2005 Snickers—Marathon Energy Bar, composer

Michael Yezerski: AWARDS & NOMINATIONS

2006
APRA-AGSC Screen Music Awards
Winner Best Original Song—Thursday's Fictions
Nominee Best Music for a Mini-series or Telemovie—Thursday's Fictions
Nominee Best Music for a Documentary—Cape of Storms

Park City International Film Music Festival
Winner Gold Medal, Director's Choice for Artistic Excellence in a Feature Film—Thursday's Fictions

2004
Park City International Film Music Festival
Winner Gold Medal, Audience Award—No Surrender

MusicOz Awards
Winner Best Classical Artist
Nominee Best World Music Artist

2002
APRA-AGSC Screen Music Awards
Winner Best Music for a Short Film—No Surrender

2001
APRA-AGSC Screen Music Awards
Nominee Best Music for a Documentary—Ah Hu's Retreat

FCCA Awards
Winner Best Original Music Score for a Short Film—Customs

APRA Professional Development Award

2000
APRA-AGSC Screen Music Awards
Nominee Best Music for a Documentary—Scar Stories

Roger Mason
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Roger Mason came to screen composing from the world of contemporary music. He recorded and toured internationally with Wall of Voodoo and Gary Numan before returning to Australia to join the Models, a band that achieved both national and international success.

He was the first non-American composer to be granted a scholarship by the Robert Redford Sundance Institute. This provided him with the opportunity to study under the acclaimed screen composers Alan Silvestri, Danny Elfman and Michael Kamen. His first venture into film score, the feature film Aya (1990), was nominated for the AFI Award for Best Original Score.

Recently Roger composed, arranged and produced the music for SBS's new brand identity, which numbered more than 200 individual pieces for on-air, radio and internet.

www.roger-mason.com

Roger Mason: SELECTED CREDITS

FEATURES
2007 September, composer
2007 Razzle Dazzle, composer and music producer
2005 The Extra, composer
2004 Man Thing, composer

TELEVISION
2008 SBS Brand Identity, composer
2006 Operatunity (series), composer: theme
2006 Peking to Paris (series), composer
2005-2003 MDA (series), composer
2001 Australians at War (series), composer

SHORT FILMS
2001 Confessions of a Headhunter, composer

Roger Mason: AWARDS & NOMINATIONS

2007
AFI Awards
Nominee Best Feature Music—Razzle Dazzle

2006
APRA-AGSC Screen Music Awards
Winner Best Music for a TV Series or Serial—Peking to Paris

2005
APRA-AGSC Screen Music Awards
Winner Best Soundtrack Album—The Extra
Nominee Best Feature Film Score—The Extra

ARIA Awards
Nominee Best Soundtrack Album—The Extra

2003
APRA-AGSC Screen Music Awards
Winner Best Music for a Documentary—Equus
Winner Best Music for a TV Series or Serial—MDA

Coming Soon

SOUNDTRACK ALBUMS

The Black Balloon

September

Noise

Suburban Mayhem

Kenny

Candy

Somersault

MUSIC PUBLISHING

Norman ParkhillBIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Norman Parkhill: SELECTED CREDITS

Norman Parkhill: AWARDS & NOMINATIONS

SCREEN COMPOSERS

Amanda BrownBIO / SELECTED CREDITS / DISCOGRAPHY / AWARDS & NOMINATIONS / Print bio

Amanda Brown: SELECTED CREDITS

Amanda Brown: DISCOGRAPHY

Amanda Brown: AWARDS & NOMINATIONS

Bryony MarksBIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Bryony Marks: SELECTED CREDITS

Bryony Marks: AWARDS & NOMINATIONS

Richard PleasanceBIO / SELECTED CREDITS / AWARDS & NOMINATIONS / PRODUCTION & RECORDING / Print bio

Richard Pleasance: SELECTED CREDITS

Richard Pleasance: AWARDS & NOMINATIONS

Richard Pleasance: PRODUCTION & RECORDING

Michael YezerskiBIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Michael Yezerski: SELECTED CREDITS

Michael Yezerski: AWARDS & NOMINATIONS

Roger MasonBIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Roger Mason: SELECTED CREDITS

Roger Mason: AWARDS & NOMINATIONS

Norman Parkhill
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Amanda Brown
BIO / SELECTED CREDITS / DISCOGRAPHY / AWARDS & NOMINATIONS / Print bio

Bryony Marks
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Richard Pleasance
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / PRODUCTION & RECORDING / Print bio

Michael Yezerski
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio

Roger Mason
BIO / SELECTED CREDITS / AWARDS & NOMINATIONS / Print bio