Norman Parkhill

Norman is currently engaged on Every Cloud’s feature film Miss Fisher & the Crypt of Tears, The Diary of an Uber Driver for Revlover/ABC TV and Lambs of God for Lingo Pictures/EndemolShine/Foxtel. He has recently completed work on Playing for Keeps for Screentime/Network Ten and Wanted series 3 for Matchbox Pictures/Seven Network.

Norman began his musical career as a performer while still at university. Since then he has clocked up more than 30 years in the industry, working in music publishing, recording, artist management, A&R and music supervision.

He has music-supervised a diverse range of film and TV productions.

Feature film credits include:

• Clayton Jacobson’s Brothers’ Nest
• Abe Forsythe’s Down Under
• John Curran’s Tracks
• Stuart Beattie’s Tomorrow When the War Began
• Clayton Jacobson’s Kenny
• Neil Armfield’s Candy
• Cate Shortland’s Somersault

TV credits include:

• Wanted (Matchbox Pictures/Seven Network, series 1 & 3)
• Playing for Keeps (Screentime/Network Ten)
• Olivia Newton-John: Hopelessly Devoted to You (FremantleMedia/Seven Network)
• Grace Beside Me (Magpie Pictures/NITV/ABC TV)
• The Secret Daughter 2 (Screentime/Seven Network)
• Love Child (Playmaker Media/Nine Network, 4 series)
• Newton’s Law (Every Cloud Productions/ABC TV)
• Miss Fisher’s Murder Mysteries (Every Cloud Productions/ABC TV, 3 series)
• Top of the Lake (See-Saw/BBC)
• Packed to the Rafters (Seven Network, 6 series)

Norman’s broad experience in commercial music publishing and recording gives him a well-rounded musical perspective, in addition to a solid grasp of the complexities of music supervision, copyright research and licence negotiation.